Review by Camden Ferrell
Lou is a new thriller film from Netflix from director Anna Foerster. She is a veteran tv director, working on reveals similar to Westworld and Criminal Minds, and this film marks her second feature movie. The film is written by Maggie Cohn and Jack Stanley and marks each of their characteristic writing debuts. Despite a forged filled with gifted actors, this thriller is more passable than anything, that includes predictable beats and less-than impressive motion.
Taking place decades in the past, this movie follows Lou, a hardened and mysterious lady. While trying to confront her past, a storm rages and her neighbor, Hannah, seeks her assist after her daughter gets kidnapped. From here, the two ladies embark on a journey to avoid wasting her child while dealing with their own secrets and dark pasts. This premise is straightforward and acquainted to other initiatives we’ve seen prior to now, but these sorts of films can still be subversive and thrilling if done appropriately.
Cohn and Stanley’s script is decent sufficient. It has the foundation needed to tell a compelling story, however it doesn’t do anything to be memorable or avoid the tropes and pitfalls of this style. The dialogue isn’t spectacular, however it will get the job done. In addition to this, the film is way too predictable and fails in trying to subvert expectations and catch the audience off guard.
The performing is one of the better elements of this movie while also being some of the disappointing elements. This film is led by Allison Janney who is often a particularly gifted actress. Even though her main efficiency is strong in this film, it’s still underwhelming given what we know she’s capable of. She is joined by actors Jurnee Smollett and Logan Marshall-Green who are also good on this film however not nearly as good as their previous roles.
The nature of this movie makes one think of a movie like Nobody. The difference is that this movie doesn’t have the action-packed moments to compensate for its predictable and familiar narrative. There are some decent moments of action, however they’re fleeting. When action is missing, narrative and execution must decide up the slack but as mentioned earlier than, even that isn’t as great because it may have been.
Lou is competent albeit acquainted. There is a good film hidden inside, but due to some normal writing and secure execution, the movie is only simply nice. With some more thrilling action or subversive twists, this could have been an excellent movie that shows us a special side of Allison Janney. Unfortunately, we are left with a decent movie that shall be forgotten about somewhat quickly.
Lou is streaming on Netflix September 23.